One of our previous “Best of Lingerie” winners, Tisja Damen first caught our eye with intricate patchwork lingerie that was more akin textile art than intimates. I fell in love with their unique, directional approach, and I’ve been checking in on the brand ever sense. In a way, it’s almost harder when you debut with such a strong perspective. People expect brilliance, and that can be a difficult bar to achieve season after season. Fortunately for the lingerie world, Tisja Damen manages to clear it easily.
Here it is: the finale, the coup de grâce, the closer to 2016. Speaking personally as Editor in Chief for a moment, I take our best lingerie brands of the year post very seriously. I start making notes on certain companies as early as January, “checking in” on them, so to speak, throughout the year.
The visual story of lingerie is everything, and a brand’s lookbook is one of the single most effective ways of transmitting that story. From a lookbook, you can learn if a brand is contemporary or traditional, luxury or inexpensive, French-inspired or American-influenced. A good lookbook conveys a brand’s identity, and it’s no exaggeration to say it can make or break a label.
Is there anyone more iconic in the lingerie world than Bettie Page? The “Queen of Pinups” has been an influence on American culture for generations, inspiring trends in beauty, fashion, and art. It’s hard to imagine a world without her; nearly everyday, I run across a Bettie Page reference of one kind or another.
Ever since I first became interested in the lingerie world, Fleur of England has been on my radar as one of those brands that consistently creates beautiful lingerie. It’s not a brand that I associate with particularly boundary pushing design work, but one that has always created sophisticated and elegant undergarments that I would happily welcome into my own wardrobe.
