Posts in category "lingerie manufacturing"

Let’s Talk Knock-offs: Is Copying Designer Lingerie Ever Okay?

Left: Playful Promises ‘Etti’ Longline Bra via ASOS. Originally $78.93.
Right: Frederick’s of Hollywood ‘Sandra’ Longline Bra. Originally $34.00.

Has there ever been a more controversial subject in the fashion industry than this one? No matter your opinion on knock-offs, cheap copies of luxury goods are here to stay. After all, if there’s a market for people who want expensive items for lower prices (and there definitely is), there’s going to be a company that’s willing to cater to that market.

Some of these knock-offs are outright counterfeits and forgeries (i.e. they’re being advertised and sold as the authentic item) but many more of these knock-offs are “inspired by” replicas…where enough of the original design has been kept to make it recognizable, but not so much that legal action is justified or even possible. And it’s that second kind of knock-off that’s becoming more and more popular, even within the lingerie industry.

I know a lot of brands and designers read The Lingerie Addict, so I just want to acknowledge that I understand this post will probably ruffle some feathers (and doubtless bring me a few “You should never have written this!” e-mails). But the conversation on knock-offs (and if they’re ever justified) is already happening among lingerie consumers. Even if the subject is a little awkward to talk about, it’s one that very much needs to be discussed out in the open.

3 of these 6 photos are stolen. Another is a stock image.

Earlier, I made a distinction between outright forgeries and ‘inspired-by’ knock-offs and I just want to be clear that I am definitely not in favor of counterfeit goods. Counterfeits are always wrong, and there is nothing excusable about one brand stealing the images, copy, and marketing materials of another brand in order pass their merchandise off as someone else’s. However, that particular issue is not what this article is about. Instead, I want to focus on two somewhat grayer areas of knockoffs…prices and sizes.

Price Knockoffs:

Left: Marika Vera ‘Nydia’ Bodysuit. Originally $520.00.
Right: Ann Summers ‘Peony’ Bodysuit. Originally £40.00 ($62.00)

Make no mistake: quality lingerie is expensive, both in terms of materials (silk, lace, chiffon,satin, etc.) and in terms of labor. It takes a lot of time and effort to construct a bra, and if you’re one of the dozens of independent designers making pieces by hand or in small factory batches, you simply don’t have the volume to get the lower manufacturing costs a larger brand can. And in the same way a global intimates empire will pass their cost savings on to customers in the form of lower prices, smaller brands have to pass along their higher costs in the form of increased prices. Factor in the increased costs of things like fair trade and ethical production (which are important to many smaller brands, but which many large brands don’t care about), and you’re looking at an even greater price differential.

But, on the other side, it’s true that many women simply can’t afford luxury lingerie. It’s not about what they’d “rather” buy; it’s just not an option. In this era of depressed wages, uncertain job markets, and ever-increasing costs for basic necessities, I don’t blame women for thinking twice before dropping 3 figures on a bra and panty set. And while it would be great if we could all fill our closets with handmade, ethically-produced items, those goods do cost more…and that money may just not be available if you’re on a tight budget.

Finally (and I won’t name any names here) not every luxury brand is worth the luxury price. Whether it’s skimping on quality materials or quietly moving manufacturing to cheaper sites overseas (while retaining the same high prices), sometimes a luxury brand is just a lot of hype…smoke and mirrors produced by an excellent PR team, a beautifully lit photoshoot, and some fancy decorations in a boutique.

Size Knockoffs:

Left: Kriss Soonik ‘Susan Chic’ Body. Originally €159.00 ($212.00). Available up to size US10.
Right: Empress Lingerie Ruffle Lace Romper. Price Unknown. Featured in Plus Model Mag.

No big secret here: the average size range of any one lingerie brand is pretty limited. Whether a brand chooses to focus on standard sizes, full bust sizes, or plus sizes, there is no single lingerie brand out there making everything for every woman of every size. However, it’s also true that women who fit into the traditionally standard size range (approximately US bra sizes 32-36 B-D and US dress sizes 0-10) have many more options available to them than women outside that range. As a size 10, I’m at the outer limits of the standard sizing chart, but I can still assume the average brand fits me. When it doesn’t, it’s an exception…not the rule. For many women though, especially plus size women, the search for pretty underthings is a long, unpleasant, and completely demoralizing experience.

The size thing becomes even more interesting when you realize there’s a link between how expensive a brand is and how many women their size range encompasses. It’s been my experience that more expensive brands have smaller size ranges. Right now, I’m thinking of several high-end European names that I’ve personally tried (no names) which max out at a US size 6/8. That is a super narrow size range, and it excludes a lot of women. Unsurprisingly, women who wear double digit dress sizes want beautiful lingerie too, and so lately several plus size companies have stepped in with larger size knock-offs of popular styles.

There are a lot of good reasons for why a brand can’t abruptly expand their size range. As I mentioned earlier, all brands, even plus size brands, specialize. That’s because the costs of trying to be all things to all people would rapidly drive a company out of business (especially an independent company). It’s also true that making plus size lingerie isn’t just a matter of taking a standard size pattern and enlarging it, but requires a complete redrafting…particularly in the case of complex, supportive undergarments like bras. All of that costs money, and if a company isn’t absolutely sure they’ll recoup the costs, they may decide to focus on what they’re good at…and what they know will make them money.

That said, plus size women shouldn’t have to wear ugly underwear because no one’s making their size. I feel really fortunate that I can buy most of what I like, but if I were to go up a size (which is very likely to happen at some point), I suddenly wouldn’t be able to buy most of what’s out there. And I don’t really want to go back to buying my panties in a 6-pack. Why shouldn’t larger women have pretty undergarments too? Especially if their needs aren’t being met by standard size brands?

The Discussion:

Left: Marlies Dekkers ‘Dame de Paris’ Bra via ASOS. Originally $126.29. Available up to size 40DD.
Right: Cacique by Lane Bryant Strappy Plunge Bra. Originally $40.00. Available up to size 44DDD.

In both of these cases, companies are either unable or unwilling to accommodate all the budgets and sizes of everyone that may be interested in their products. That’s not a fault-finding statement…it just makes sense from both a production/materials/labor perspective and a branding/marketing/advertising one. It’s easier to make and sell a product targeted to a particular group of people than a product targeted to everyone.

So the question becomes…if you have a group of women who’s needs aren’t being met by what’s out there (either because of price or because of size), is it okay for them to buy similar pieces at a lower price point or in extended sizes from other brands?

Most designers and boutiques say “No,” and understandably so. They argue that it devalues the brand, and penalizes small designers for being creative and risk-taking while big brands reap all the rewards of that free market research. But many customers, also understandably, disagree. “If I’m never going to buy from you because you’re not making products for me,” they say, “you haven’t lost any money when I buy from someone else. The sale was never going to be yours.” Some people also argue that knock-offs are advantageous to the industry as they constantly generate new ideas, but the counterargument to that is that small brands will get frustrated and quit (or be outright driven out of business) if their work is always being knocked-off.

As a blogger, I see both sides. Professionally, I spend a lot of time talking to and working with independent designers (many of whom are 1 or 2 woman operations), and it stings when you see all their hard work being stolen with just the slightest reworking. It’s heartbreaking because you know these designers will never be able to sell as cheaply or offer as many sizes as a department store, and they’re being punished for it. And it can very well drive a brand out of business.

However, as a lingerie consumer (and someone who’s always been a little bigger through the hips and a little smaller through the wallet), I understand what it’s like to have to balance fashion with finance. If you know a certain brand is never going to make anything in a size 14 or in a G cup or for under $200, why not take your money elsewhere? Isn’t that how business works?

What do you think, dear readers? Are knock-offs ever okay? Should brands that can’t meet everyone’s needs ‘suck it up’ as the cost of doing business? Or should customers who are left out in the cold just ‘deal with it?’ And how similar or different can something be before it’s not considered a knock-off anymore? I’m really interested in hearing what you have to say in the comments.

So You Want to Be a Lingerie Designer: 3 Amazing Online Community Resources

A flossed corset by Pop Antique, as shot by Karolina Marek on Victoria Dagger. Much of my corsetmaking knowledge comes from researching via various online communities.

This being November, many Americans such as myself are pondering those things which we have to be grateful.  Trite though it may be, I knew I wanted to touch upon it in my column this month.  One thing I am continually grateful for on a daily basis is being a 21st century woman, regardless of my nostalgic admiration for things antiquated and retro.  I love that we have the freedom to enjoy and embrace these old fashioned aesthetics without being obligated to adhere to (sexist) ideals of the day, and that we can pick and choose when and where we want to employ these aesthetics, mixing and matching old and new with utter abandon according to our personal taste and daily whims.  I love modern medicine and technology, which brings me to the crux of the matter (you knew there was a point in there somewhere!): I love the internet and its infinite capacity for connection and knowledge both.  With that in mind, here are three amazing online communities for various skill levels.  As I am, primarily, a corsetmaker, there is naturally a bit of an emphasis on that field.

Corset interior with floating modesty panel by Electra Designs, founder of the Learn to Make Corsets Like a Pro group on Facebook.

Learn to Make Corsets Like a Pro
A Facebook group founded by Alexis Black (of Electra Designs), which she created to go with her successful Kickstarter for corsetmaking resources.  The community is open to members of all skill levels and backgrounds, and a typical post will be either a specific question regarding construction and troubleshooting of corset construction, or merely an enthusiastic update on the status of a current project.  Alexis herself will regularly chip in to answer questions, and overall the group is very responsive and helpful, allowing one to get a reading on several opinions and possible solutions.

Foundations Revealed is an amazing subscription-based resource for anyone interested in learning to make foundation garments, particularly corsets.

Foundations Revealed
When you’re ready to kick it up a notch, Cathy Hay’s Foundations Revealed has you covered.  While there’s a heavy emphasis on corsetry, they also have articles on making girdles, bras, and even bum rolls!  Foundations Revealed is a subscription-based site, and as they add a new article every week I find it well worth the money for the variety of the articles and authors.  There are articles appropriate to every skill level, from basics to complicated experimental designs.  As well as a wealth of information on various patterning and construction techniques, they also have articles on the topic of running a business.  If you’re not sure about committing to $12 per month, sight unseen, check out their selection of free articles.  Foundations Revealed also recently launched its own forum.

The Lingerie Addict herself, Cora Harrington, founded a safe and private Facebook group for Independent Lingerie Professionals.

Independent Lingerie Professionals
Founded by The Lingerie Addict herself, Cora Harrington, Independent Lingerie Professionals is a small, private community for independent lingerie professionals, from designers and retailers to boudoir photographers, media outlets, and beyond.  If not invited directly, you must be vetted by group moderators for admission, and you must stay actively engaged to remain in the group.  Within the community, we talk about a range of topics: When presented with a new or particularly challenging situation, we have an amazing community to ask for advice, but we also share articles about lingerie/the industry, social media utilization, etc.  Even those posts that aren’t directly relevant to me, I find interesting as they give insight to other facets of the industry.

Are you an indie designer?  Do you participate in any of these communities?  What other online resources do you find valuable?  Tell us in the comments!

At a Snail’s Pace: Starting the Lingerie Brand ‘Karolina Laskowska’

The first lingerie set that I ever made, January 2011

Since I learned to sew in early 2011, I’ve turned into a bit of a lingerie making machine; the space under my bed is literally stuffed full with boxes of bras and knickers.  Those of you who’ve been following my antics will know that it all started in an attempt to get a place at De Montfort University for the Contour Fashion degree – a course that specialises in lingerie design and, quite frankly, my dream degree.

My first foray into lingerie (handsewn!)

I’ve always enjoyed making things – my mother used to joke that I was a ‘factory’.  Once the lingerie obsession took hold, it was pretty much inevitable that I’d be chaining myself to the sewing machine.  What made this obsession different to my previous ones, though (take greeting cards and candles as an example), was that it gave me a step into the fashion world.  People started to notice the creations that I shared online – or, more relevantly, photographers started to notice them.  They liked what I was doing and soon enough I was collaborating with people whose work I’d previously only admired from afar, well before I’d even started my degree.

Padded silk chiffon bra with freshwater pearls.  Model is Sundal, photographed by Simon Crinks

It may be strange to admit, but seeing such gorgeous and professional photos of my designs gave me a sense of confidence and almost validated my decision to study lingerie.  It also meant that more people saw my work  – soon enough I was seeing my work reblogged all over the place and people contacting me to make things for them.  The idea of starting my own ‘brand’ began to play on my mind…

Yet it was an event at the beginning of this Summer that really made my mind up.  I’d been told repeatedly by all sorts off people in the industry that starting a brand was a terrible idea, that there was no money in it, that my ideas weren’t original… Yet one day I received an email from a certain boutique asking if I did wholesale.

The pentagram thong playsuit and frame bra, two of the items requested for wholesale.  Model is Miss Miranda, photography by Anna Swiczeniuk.

When I first read it, I wasn’t too hopeful.  I’d had enquiries before but they’d all fallen through.  After all, I wasn’t a proper ‘brand’. I didn’t have anything established. As far as I was concerned, I was just a girl on the internet who occasionally posted photos with some knickers that she’d made.  Yet, as it turned out, this was a serious enquiry – I began to consider it, and a burst of unseasonal confidence made me agree to it – styles and quantities were discussed, and before I knew it, I’d given a delivery date and had a deposit in my bank account.

Then the realisation hit me that I was responsible for making 26 garments to retail standard.  As did the realisation that I was responsible for all of the small things that come with clothing in retail – labels, tags, packaging… All of a sudden it seemed like a mountain of work.  I didn’t have time to hang around.

Straight away, I set about buying materials, designing labels and ordering samples. And then I set about the real hard work – grading my samples into different sizes and making sure that they fit. My poor friends had to suffer my incessant requests to cover them in elastic straps, all in a bid to make sure that garments actually looked good on the body!  Eventually, I’d got everything into a state that I was happy with – lingerie that I’d want to own.

Copious amounts of components and elastic

And so, production began. For several weeks, I confined myself to my room.  I got through literally hundreds of metres of elastic and endless amounts of gold rings and sliders.  I seemed to have a panic attack nearly every day (the worst being when I thought my sewing machine had broken, with just one week to go), yet eventually, I managed to get everything sewn.

Pentagram thongs, packaged up with instructions attached

Soon enough, I was labelling everything and packing it up in plastic bags, ready for shipping.  It was quite a surreal experience, seeing everything packaged up and actually looking professional.  As if these garments actually belonged in a shop.  Before I knew it, I was handing a big box full of knickers over to a FedEx man, ready to be shipped to a boutique far, far away.

Packaged frame bras

I spent the next few days worrying – what if they didn’t like what I’d made?  What if it was all a big mistake?  Luckily, my worrying was all assuaged soon enough. I received a lovely email from the retailer, and soon enough I realised – if my designs are considered good enough for an actual shop, they’re good enough for the rest of the world too. Starting my own brand – the dream I’d had for a while but was always a bit too scared to pursue – was actually happening.

My ready-to-wear range of lingerie

So what can you expect from my brand? Well, that’s a question I’ve been puzzling over myself, and one that I still haven’t thought of a proper answer to! I’ve ended up deciding to have three different ‘ranges’ of products – with the main theme running through them being that it’s lingerie that I’d like to own myself.

Some of the kimono silks that I can’t wait to start working with

The first is my ‘ready-to-wear’ range which is based around my most popular designs – strappy frame bras and my pentagram playsuit.  The second is the ‘limited edition’ range – this will contain the one-off designs that I get most excited about, using rare and luxurious fabrics and embellishment.  My current plan is to use my recently acquired vintage kimono silks – each piece will be truly unique as I only have so much of each fabric!  I’m also dreaming of one day getting my hands on some couture lace and pairing them with some of my more bondage-inspired influences…

An example of a one-off design

Finally, I want to give my customers of having something truly unique, made just for them – bespoke lingerie sets.  Bespoke lingerie is something that I can get incredibly excited and passionate about – there’s something so satisfying creating something for an individual, knowing it’s going to something truly special for them.  The experiences I’ve had so far with people approaching me for bespoke lingerie have all been wonderful, and I want more people to know it’s a service that’s available instead of just being scared to ask!

I’ve finally got round to making my own website, finally giving people a chance to buy my garments and to showcase my work so far – from my one-off designs to all the lingerie and fashion photoshoots I’ve been lucky enough to participate in.  Everything that I’m doing is still at an incredibly small scale – after all, I’m only just about to go into my second year of university.  I know with all the work that I’ll have to do in the forthcoming year means that I simply won’t have time to expand things, on top of which there’s no way I’d be able to get the money together to have things manufactured in a factory!  Yet I’d still like to think that I’ve made my first small step into joining the lingerie industry.  I know it’s not something that I’ll be able to pursue at any serious business level until I’ve finished my studies, but until then, it’s a good feeling to know that people genuinely want to buy my lingerie and admire my work!

As a thank you to all of the readers who’ve been following my work, I’d like to offer a 15% discount code for my shop on all individual items!  Code: lingerie-love (expires on 09-12-12, not valid on sets or bespoke orders).

Readers:  What do you think of my foray into becoming a lingerie brand?  Are my designs something that you’d like to own yourself?

Karolina

Karolina

Student at De Montfort University's world-renowned Contour Fashion course. Makes many knickers in her spare time.

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Is Cacqiue Lingerie Copying Marlies Dekkers’ Strappy Bras?

So…I was flipping through the latest issue of Essence Magazine this morning when I ran across this shocking ad:

via: The Lingerie Addict instagram

My first thought was “Wow! Marlies Dekkers is advertising in Essence. That’s new.” Then I looked at the opposite page and saw the following text “Cacique: Exclusively at Lane Bryant.”

Whoa. Wait. Seriously?

Now I’m not naive. I know copying happens all the time in the fashion industry. In fact, it’s how the larger (and, often less creative brands) come up with their “new” collections each season, but this was appalling…not only because it’s so blatant (those chest straps are a Marlies Dekkers’ signature), but because the company behind Cacique, Lane Bryant, had the chutzpah to use such a well-known design in a national ad campaign. This isn’t “inspired by.” It’s a near 100% facsimile.

Cacique is on the left. Marlies Dekkers (via Bare Necessities) is on the right. Would you have thought they were both Marlies Dekkers too?

Like I said, I know how rampant copying is in the fashion industry. And, though it’s not the most popular position within the industry, I actually don’t believe in copyright protection for fashion designers…mostly because there’s no way I can see my favorite independent designers (all of whom are younger and have fewer resources than the big brands) staying in business if that kind of legislation were enacted. It’d just be too expensive (and risky!) for anyone to start a fashion line anymore.

But that said, it really gets my goat when a large corporation, with so many resources at their disposal, deliberately undercuts an independent brand. And it shows just how empowered these larger brands feel when they can not only steal someone’s trademark idea but also advertise with it, and know that nothing’s going to happen because of it.

Now, I don’t want to sound like a hypocrite. This is not a position I’ve had the entire time I’ve written this blog. And if you’ve been reading me for awhile, you know that I used to do fairly frequent Look for Less features, which were in many cases (I’m sad to say) outright knock-off promotions.

But one of the things I’ve started doing in the last year, inspired by designers like Piper Ewan and Between the Sheets and Hopeless Lingerie, is take a closer look at where my undergarments are coming from. And, please don’t take this like I’m guilt-tripping anyone (because I hate it when people do that to me), but rip-off companies like Cacique harm the entire lingerie industry.

I want to talk about all this in a more detailed blog post later on, but the gist of it is that independent brands already start really far behind these big companies. We already know they don’t have the investment capital and the corporate infrastrucure and the PR team and the advertising dollars, and all that.

But, behind the scenes, many independent designers (because they work with much smaller volumes than a large national chain) also don’t have the negotiating power a big brand does. And going even further, many indie brands want to manufacture and produce ethically, so that very often means not going with the cheapest factory. And, of course, since these brands can’t sell their products at a loss, some of those costs are passed along in the price tag to us, the consumers.

But if a big brand is not only able to avoid the actual work of doing a unique design but also able to get a much lower price to manufacture, well, that makes it hard for independents to stay in business. Because the playing field just isn’t fair. And goodness knows, I don’t want to live in a world of plain and boring t-shirt bras which is all many of the big brands seem able to come up with on their own (look for the full details of that in my Lingerie Market Report later on this week).

Anyway, I just wanted to put this out here. I see this as the beginning of an on-going and hopefully long-term conversation on the blog that explores the less sexy (but still important) side of the lingerie industry. I really see TLA as being about empowering customers to make the rights decisions for themselves (because knowledge is power), and I think exploring where our lingerie comes from, who makes it, and if it’s being made in a way that resonates with your own personal ethics is a valuable discussion to have.

What do you think of Cacique’s knock-off? How do you feel about lingerie knock-offs in general? I’d love to get your thoughts in the comments.

Treacle

Treacle

Lingerie Blogger. Sugar Junkie. Sci-Fi Geek.

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