Posts in category "designer interviews"

Indie Designer Spotlight: Deja Vu Dessous by Dollhouse Bettie

I first found out about the Deja Vu Dessous line when modeling for Dollhouse Bettie a few months ago.  I modeled three complete looks, and found myself loving each one.  Most of the pieces start from a vintage slip, from which designer Valerie Santillo makes everything from full teddies to bralettes and garter belts, half-slips, and panties.  Occasionally a slip will even get transformed into a very different slip as damage is cut away and it’s mixed with other fabrics and trims.

The execution of each design is elegant in its simplicity, nimbly transforming damaged vintage classics into a new look while preserving the integral charm of the original garment.  In this feature, I sit down with Valerie Santillo, who designs the Deja Vu Dessous line at Dollhouse Bettie.  You can view and purchase the Deja Vu styles online or at Dollhouse Bettie’s Haight St. boutique in San Francisco.

Deja Vu Dessous Valerie Peach & Ecru Lace Romper

Tell us a bit about the background of Deja Vu Dessous.  When did Dollhouse Bettie launch this line, and what was the original inspiration?
Deja Vu Dessous has been a long time in the making.  Michelle Metens, owner of Dollhouse Bettie, had the idea on the back burner for years before we launched it in 2011. We take authentic vintage garments that need repairs or have small defects, but are otherwise beautiful, and we revamp them.  The vintage pieces themselves were the inspiration – Michelle has collected some amazing garments over the years, aside from as-new and new-old-stock pieces we also sell.
Though Deja Vu Dessous is not a collection in the traditional sense, there are some consistent aesthetic and construction choices which characterize the line.  The overall look came to be when Michelle and I found some time in the studio- we just bounced ideas off one another until we arrived at the look that it is today.  We did a small collection together, and since then I have been designing Deja Vu for Dollhouse Bettie.  I think an important element of the line is the raw, “pinked” edges, which have become a main component of the look and feel.  It was also a great way to make use of what was available while adding a modern unique look to the line.

Deja Vu Dessous Leslie Bra & High Waist Pantie

Has the current vision for the line changed at all since its creation?
I think the vision has remained the same, but we are constantly expanding and evolving the line and getting re-inspired. We had started with using primarily vintage woven rayon slips and have grown to transform anything from tricot slips, bralettes, nightgowns… the list goes on. It’s all just trial and error, and as I create more pieces I get new ideas about finishing techniques.

What’s your favorite part of designing Deja Vu Dessous?
I love trying to maintain what I think is really beautiful about any given piece while also modernizing and updating it in some way. It can be a bit challenging at times, working from an already existing garment, but I think that challenge of trying to create something using only what I have available in front of me also encourages a lot of creativity.

Deja Vu Dessous Lola Peach Bralette & Garter Belt

What’s your background in fashion and design?
I have a BFA in fashion design from the Accademy of Art University here in San Francisco. My initial focus was not designing lingerie; I was primarily interested in designing women’s clothing.  The longer I spend time around all this gorgeous lingerie the more I see it influencing my designs!


What do you find most challenging?
As I mentioned earlier, it can be challenging to work within the limitations of an existing garment, but that is the fun of it as well. I’ve also noticed that if I have too many pre-conceived ideas of what I want to create it can be counterproductive.  Sometimes I just have to let the original garment dictate the design.

Deja Vu Dessous Clara Bralette & Tap Pantie

How much new construction and findings go into Deja Vu pieces?  Do you combine multiple pieces?
I love being able to use as many vintage elements in the finished product as possible but I also use new trims and components.  I think it’s the mixture of new and vintage that keeps Deja Vu exciting. I pretty much always combine multiple vintage pieces: the garters or straps will be salvaged from one garment, the accent color or trim may come from another. Michelle has been collecting vintage for so many years it feels like I have access to endless amounts of things to work with! It’s a lot of fun.
How do you come up with those style names?


For the most part I have named them with popular women’s names from the 1920s, 30s and 40s, depending on the personality of the item. However, I will change it up from time; each style in the last group, for example, was named after a Dollhouse Bettie employee.

Deja Vu Dessous Lola Peach Bralette & Garter Belt

Do the authentic vintage pieces and resulting Deja Vu styles inform and inspire ready to wear ideas for you and Dollhouse Bettie?

Yes, quite a bit actually. We have patterned some Deja Vu styles already, and I think it pretty much goes without saying many vintage pieces inspire and inform the styles that are put into production at Dollhouse Bettie.  Working with the pieces to revamp them for Deja Vu gives us additional insight into their construction and design. Personally, I am endlessly inspired by vintage garments and detailing, and creating Deja Vu pieces has helped me a lot with coming up new ideas and designs.

What about current designers, are there any in particular whom you admire?
I am constantly inspired by very small lingerie designers I might discover on Etsy, through a blog, or from a friend. Most recently, Stephanie Bodnar of Honey Cooler Handmade comes to mind. I kind of just stumbled upon her Etsy shop and I found her design aesthetic to be particularly charming.  I really love her point of view, not to mention her insertion lace technique is absolutely stunning! The fact that she does everything by hand is also a very inspiring aspect of her line, I love the uniqueness and individuality of all her pieces.

Deja Vu Dessous Ana Pink Bralette & Garter Belt

What do you think makes Deja Vu Dessous special?
I think the individuality of Deja pieces and the handmade, one-of-a-kind elements makes the line special. I always aim to maintain that line between vintage touches and modernity and I think that is an important element for the Dollhouse Bettie brand as a whole.

How do you think shoppers style their Deja pieces?  Mostly in their boudoir for seductive purposes?  Casual loungewear?  Innerwear as outerwear?
I would like to think all of the above! And from what I hear, that’s true. I try to incorporate versatility into many of the designs. Creating a garter skirt with detachable garters, for instance, allows a seductive lingerie garment to also serve as loungewear, a mini slip or possibly even a regular skirt.

Deja Vu Dessous Minnie Black Romper Teddy

What have some of your favorite designs been and why?Generally speaking, often my favorite designs are ones that seem to pave the way for new ideas. The most recent thing I have discovered will often be my favorite of the moment, possibly because I feel like I have figured out a new way to expand the range of styles we offer with Deja Vu. I also might be partial to a design simply because the original vintage garment was just exceptionally beautiful!

Do you have any Deja Vu Dessous pieces in your personal collection?
I actually have the very first piece we did for Deja Vu.  It was a teddy that Michelle and I had worked on together, when we were still working out the look of the brand.  I’m also always trying to think of ways I can “Deja” what I already own.

Deja Vu Dessous Frenchie Bralette & Mini Slip

What do you think is in the future for Deja Vu Dessous?
I am really excited to feature a special silk collection for Deja Vu. We have not yet expanded the range to include silk garments and there is quite a bit of stock just waiting for the right moment!

Deja Vu Dessous Eloise Bralette and Garter Skirt


What do you think of Deja Vu Dessous by Dollhouse Bettie?  How would you style the designs?  Do you have another favorite upcycling/vintage-repurposing designer?  Please share your thoughts in the comments!

Designer Interviews: Lorna Drew Maternity Lingerie

Today’s Designer Interview is with Lorna of Lorna Drew Maternity Lingerie.I first met Lorna nearly 6 months ago at the Salon International de la Lingerie in Paris, and I have not been able to get her line out of my mind. She has one of the most exciting developments I’ve ever seen in maternity lingerie – a ‘responsive’ bra that adjusts to fit and support a Mom’s breasts both before and after breastfeeding. In this interview, we talk about what makes Lorna Drew different from the other maternity lines already available, how Lorna Drew supports the breastfeeding movement, and, of course, where you can buy her bras.

1) TLA: When I first encountered your brand at this year’s Paris Salon International de la Lingerie, I was blown away at your innovative ideas for maternity lingerie…ideas that seemed so obvious and so simple yet that no else had thought of before. What made you want to start a lingerie line? And how is Lorna Drew different from the other maternity and nursing bras out there?

Lorna: I always wanted to have my own lingerie business. I studied at DeMontford University before winning a design completion and designing for Ann Summers which lead to my first Lingerie design job. From then I worked with Topshop, and La Senza. During this time my Sister had her first baby it was then that I first realised that there was a problem with breastfeeding and that the nursing bras on the market just were not working effectively to solve the problem of fluctuating size.

I then has to work out if this was fluctuating in size was a problem all women or just a couple. I got involved with breastfeeding organisations, midwives, breastfeeding groups and parenting forums. I wanted to find out if this was a real problem and what solutions where available.

What I found was a real problem with fitting and selling bras to women that just that’s body is undergoing so much change. You could fit nursing Mother in a bra and the following week the bra wouldn’t fit her. Bra fitters worldwide had a real problem, and mothers worldwide where calling out for a solution. I remember reading a comment on Mums Net about nursing bras as It was just a list 30 pages long of comments on how nursing bras are just not fit for purpose, one woman actually wrote that she wished there was a nursing bra that could change in cup size to accommodate the change is size form feed to feed.

It was at this point I know that I was working on thing worthwhile that could genuinely improve that breastfeeding experience for Mothers, I began wearer trials and carried on testing the product and improving the product over 4 years before we launched in January 2012.

Six years ago I knew nothing of breastfeeding, now I give lectures to Midwives and heath care professionals becoming somewhat of a breastfeeding expert.

2) TLA: If I remember correctly, you photograph all the models in your shoots with their children. What made you go in that direction for your marketing and advertising campaigns?

Lorna: Lorna Drew is all about bond between Mother and Child. our bras are designed and sold to breastfeeding mothers so why not photograph them on real breastfeeding mothers with their babies? To me it makes sense, Lorna Drew Nursing Lingerie is all about the bond between Mother and child which is one of the main reasons Mothers chose to breastfeed and I feel it something that should be celebrated.

3) TLA: What kind of response have you gotten from women who’ve tried Lorna Drew for the first time? What about from retailers and other industry professionals who’ve seen it for the first time?

Lorna: People say “that’s clever” and “what a good idea”. Everyone is always excited about our lingerie because its innovative in a way that’s very easy to see and show to people. There’s no jargon it’s just a simple solution to a common problem that had previously been ignored by other lingerie brands.

4) TLA: We all know a woman’s breast undergo a lot of changes related to pregnancy and nursing. How does bra fit change during that time, and, generally speaking, what should a new Mom look for in a pregnancy or nursing bra?

Lorna: What Moms will notice is a feeling of tightening and hardening of the breasts as the milk comes in the breast will get bigger and this will show most on the neckline of your bra. If possible buy a bra with stretch in the neckline of the bra. This will insure the bra doesn’t dig in so much between feeds.

5) TLA: Last year, the New York Times published an article about attractive nursing bras that got a lot of backlash from women who felt pretty lingerie over sexualized the breast during nursing. What are your thoughts on this?

Lorna: My thoughts are that it’s not pretty lingerie that offends women but the way that band choses to sell its product using, its over sexualised campaigns and language that offends women simply because in my belief nursing lingerie is not and should not be purchased for the benefit of a man.

All our lingerie is designed from a mothers view point, and unlike any other breastfeeding lingerie brand we focus on fashion and trends to lead our styling and colour options. Lorna Drew Nursing Lingerie focuses on the mothers sense of self, her personality, her style, and her confidence to inspire our design and our companies.

6) TLA: In the US, women often face censure or even outright harrassment for nursing in public, and many women are told to feed their babies in the bathroom or in other out of the way places. How do you feel about this, and is breast feeding culture different in the UK? ( For the record, I’m pro-breast feeding, and I believe women have the right to feed their babies wherever those babies happen to be hungry.)

Lorna: Treacle I totally agree with you and I feel you previous question (5) has some relevance to this. Breasts are so over sexualised in western society that we forget that we have them for a purpose other than sex. I feel so sad that such a progressive country like the US could allow Moms to be treated with such ignorant views of prejudice. I don’t understand how a Mom providing the best nutritional start in life for her baby could warrant such harassment.

My feeling is that any women brave enough to breastfeed there baby on demand is a hero and should be applauded.

The UK is fairly tolerant, but not as relaxed as the rest of Europe. In 2010 a law was passed by the government that stated it is illegal to ask a women to stop breastfeeding in a public place. This law was seen as popular and I my mind well overdue.

However this law doesn’t protect breastfeeding mother from other forms of protest such as staring, and making comments like “Do you have to do that here?” of course Mothers can say “Yes, I do actually!” but it’s still a way of discrimination. And this is why I felt we should start the “We Support Breastfeeding” Campaign.

7) TLA: Tell us more about the “We Support Breast Feeding” campaign. How is Lorna Drew getting involved when it comes to the conversation on breast feeding?

Lorna: The “We Support Breast feeding campaign is an initiative I started originally to support breast feeding women in my local community. I was in a coffee house one day took at their notice board, and sore that there was a flyer for a mother a baby meeting that meet in the coffee house every Tuesday morning. I asked to speak the manger there and then as asked him what he thought of the mother and baby group that came in, and if they breast fed their babies and how he felt about it. He said “The group coming in is great business, I wish I had more mums coming in we have more female customers over the day than male so, it’s great for us!”

So I had an idea, I would create a “We support Breast feeding” sign for coffee shop windows, the sign would work in 3 ways.

1) It assures breastfeeding mother that establishment in question is breastfeeding friendly which gives her mother’s confidence in public environments too breastfeed.

2) It helps with public awareness of breastfeeding, therefore removes the element of surprise from the public’s mind, and reducing prejudice.

3) It shows all customers that this business supports women who wish breastfeed. And it promotes their business as welcoming and inclusive to all Mothers. As the manager of the coffee house had explained to me he would like to encourage more mommy and baby groups to his coffee house. So the sign could boost his business.

So my plan was in motion, I put my first “We Support Breastfeeding” in that Coffee House.

Now we have “We Support Breastfeeding” in shop windows, restaurants, library, coffee shops, Tea Rooms all over the UK.

For Lorna Drew Nursing Lingerie is just another way of supporting our customers though there breast feeding experience.

8) TLA: Any final thoughts or things you’d like to say? (Or sneak peeks of upcoming lines or shoots?)

Lorna: Oh yes I have a very exciting exclusive for you! I’ve not mentioned this to anyone yet. ;-)

We have a brand new innovation on the way for breast feeding Mums that like wired bras. In January we are launching our “Secret Nursing Bra”.

9) TLA: And now the most important question! Where can we buy your bras?

We’re on MommyGear.com.

Treacle

Treacle

Lingerie Blogger. Sugar Junkie. Sci-Fi Geek.

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Designer Interviews: Lula Lu Petites

Continuing our special week of small bust coverage, I’m talking with Ellen Shing of Lula Lu Petites, a lingerie brand specializing in A, AA, and AAA cups bras. In this exclusive interview, Ellen shares her inspiration behind the line, the challenges of designing for smaller busts, and her favorite pieces so far!

1) I remember meeting you at my very first CurveNY back in 2010, and being amazed that there was a designer doing lingerie exclusively for small busted women because it just wasn’t something I’d heard about before then. What made you start Lula Lu Petites, and what did you do before then?

I started the Lula Lu Petites line because after opening the store and scouring the trade shows, season after season, I was unable to find the bras and the sizing that my customers were looking for. After feeling like finding a bra for my customers at the shows was comparable to finding a needle in a haystack, I decided that instead of waiting for someone to make bras for my customers, I would do it myself since I already knew what they needed!

Prior to Lula Lu, I had worked as an Assistant Buyer at DFS (Duty Free Shoppers) and my main jobs before that were in marketing, where I worked at companies such as Alexa Internet and the NBA in Hong Kong.

2) How does Lula Lu fit into the ‘big picture’ that is the multi-billion dollar lingerie industry? What distinguishes you from other brands, especially as more and more retailers are starting to venture into small bust market?

We’re definitely a niche brand in that we’re focused on an often ignored segment of bra sizes. We like to say that, even if a woman is small-busted, they are still women and they want to have the same choices as all women do when it comes to bra styles. Our goal is to provide our customer base with the same basic, pretty, sexy, etc. choices that they see for other sizes, but designed to flatter their smaller curves.

3) Congratulations on your recent InStyle feature! I recognized that bra as one I’d featured in my own lingerie trend forecast. What’s the inspiration for your collections and how do you keep things fresh season after season?

Thank you! I often start out with the body style of what I want, meaning a particular cup design or, for example, a design without underwire. Then, if the style is on the fashion side, like the Amara that you saw in InStyle, I may work with our consultant to pair colors that I am interested in. If there is a particular lace I already know I want to use, which is what I had picked out for the Amara, we play around with the colors until we come up with an eye-catching combination.

4) What are some of the challenges of designing bras for smaller busts? I know there has to be more to it than just taking a regular bra pattern and making it smaller. Are there any special or unique things you have to be aware of for the smaller busted woman?

I try to fit all of the bra sizes, especially the AAA and AA cups, before going to production. I know have driven all of the factories I work with crazy, but I insist on it because I do not always trust the grading. The smaller cup sizes can be especially difficult to grade and, when I have had samples made with a factory’s grade, it might not fit as well. I much prefer to see how something works on an actual body versus following a grade “rule” that is just based on an assumption. I know that is not the way most designers work. I’m lucky I have a good technical consultant/patternmaker I work with who understands my logic, even if it’s not the normal industry logic!

5) Aside from being smaller busted, what’s the Lulu Lu woman like?

She’s like all other women, meaning she can be a lawyer, housewife, mother, accountant, secretary, etc. She likes her body and breasts just as they are but hates the bra shopping experience, which is when she starts to feel deficient (and she wishes she knew where to go to get the bra help she needs!). She just wants a bra that fits her body type and not to be told to go to the children’s department for bras!

6) Out of all the collections you’ve designed, which bra and panty set is your favorite?

I really like the Amara and the Natasha. They are both irresistibly sexy, and designed beautifully with lace and careful detailing.

7) Where do you see the future of the A, AA, and AAA cup lingerie market going?

I think it’s still a growing segment and I think there will be even more options in the future for this size segment.

8) And last, but not least, where can we buy your lingerie?

La Petite Coquette, Soleil Toile, Town Shop, Bits of Lace, My Boudoir, Herroom.com, and Lulalu.com

Treacle

Treacle

Lingerie Blogger. Sugar Junkie. Sci-Fi Geek.

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Sparklewren the Boutique: an interview with Jenni Hampshire of Sparklewren Corsets

Jenni Hampshire of Sparklewren is a self-trained corsetiere whose designs aren’t just garments; they are true works of art, pairing beautiful shaping with exquisite embellishment. She will soon be embarking on the ambitious business venture of opening a pop-up corset boutique in Birmingham’s ‘Great Western Arcade’, a wonderful Victorian building in the city centre.  Having helped out with the preparations I’ve been lucky enough to see the amount of work that goes into creating these incredible corsets.  To me, they are the true definition of luxury – a mindblowing amount of attention is lavished on every last detail, from the vast amounts of boning tunnels to the intricate hand appliquéd and layered lace.  I can’t wait to see the boutique open;  Jenni was kind enough to answer a few questions about it so that you can share some of the excitement!

What originally inspired you to open a pop-up boutique?

It is something I have always wanted to do. Perhaps because of my arts background, I always picture my pieces within a context… Whether that’s as part of an ensemble, within a photograph, or within a display environment. Presenting my work within a boutique or showroom  just makes sense to me creatively, though it is of course a sensible move from a marketing point of view. Being a shy, home-based business, the people of Birmingham are perhaps not as aware of Sparklewren as they should be. The pop-up boutique will give me a platform with which to rectify that.

What sort of new challenges do you think a boutique will present that the internet doesn’t?

Probably many more than I realise! I think that negotiating what to display, how much stock to have, etc. will be crucial in conveying the idea of “bespoke”. It’s such an unusual way of dressing to most people, that I imagine people could easily assume it’s just a question of ordering Design X in size 12, when in actual fact each pieces is much more of a collaborative creative process than that. So I think I will be educating those who come through my door, in some respects.

I do love distance/online work for the sole fact that I can take my time to quietly work on an idea, quote, or email. But the pay-off of in-person work is the joy of being there when they receive their corset and being able to day-dream about the piece together. So each method of business has its pros and cons.

The Boutique window, pre-transformation

What’s your vision for the boutique?  Could you explain a little about the theme of gilding and the décor?

The boutique needs to function to present the garments, which is at the forefront of my mind… I need to remember that key fact, else I might get carried away with superfluous details! Whilst I have this overarching obsession with the notion of “gilding” as a creative ethos, I am also mindful of the fact that my boutique mustn’t overwhelm the garments.

So I am aiming for a balance of opulent grandeur and contemporary simplicity. Gilded details, chalky champagne and grey tones, soft hazy muslin drapes… a muted, elegant canvas against which my work can shine.

 

Exquisite Sparklewren detailing – lace appliqué, feathers and crystals

What has been the most exciting part of prepararing for the boutique?  What has been the most nerve wracking?

Dreaming up and creating new pieces is always the most exciting part of any project! But certainly, the interest and support I have had from friends and followers has also been wonderful and a massive confidence boost. Perfect strangers have helped out with the project and some people are already planning their journeys so that they can just see the boutique and its contents in the flesh. It’s terribly encouraging that they care so much. I mean, all I have ever wanted to do is make beautiful things, so it is a complete joy that having found my medium people are responding to it and enjoying that beauty.

As far as nerves go, I can get nervous over the silliest things sometimes. I would say that waiting for the keys to the space was the most nerve-wracking time though, as I was convinced something would happen to scupper my plans!

Gorgeous layered lace

Could you describe the show pieces that you have in mind for the boutique?  Just how amazingly shiny will they be?

Haha, very shiny! I’m working on lightly “gilded” cinchers all the way to heavily encrusted iridescent silk satin corseted gowns. I have pieces which require four or five separate layers of applied texture on top of the main construction (which in itself is a very time-consuming process) and I am thinking a lot about the relationship between silhouette and surface in these pieces.

Being a typical magpie, this is all great fun for me and I hope it will prove equally eye-catching and intriguing for my friends, peers and future potential clients.

A sheer sweetheart cincher

What sort of ready-to-wear things can we expect at the boutique?

Delicate little sweetheart cinchers with hand-cut and appliqued couture lace… potentially some little silk and lace treats such as blindfolds, panties or cami tops… and no doubt a couple of overbust corsets too, since I can’t help but create new pieces all the time.

What services do you plan to offer at the boutique?

As mentioned, I do want to update a small selection of stock items every so often, to keep the boutique pretty and satisfy some client’s decadent whims! But the focus of my work at this time really is bespoke. Primarily because I’m fickle and easily bored! Bespoke allows for each project to be exceptional, different and interesting in its own right. I believe that bridal, stage, boudoir wear… it can all be elevated by consideration of every little detail in relation to the client’s character and physique. Having display items constantly on show within the boutique (something not possible in my home studio) will encourage greater imagination, I think.

So there will be a main space for display of items, client meetings, sale of stock pieces… a hidden workspace (which will no doubt be creative chaos)… and a generous fitting area for dressing clients and checking toiles.

When is the launch and what can we expect to see there?

I’m aiming for either the 26th or 27th June for the launch, evening time, but this is still up in the air and I will let everyone know once it is confirmed. The launch will be the official unveiling of my most recent “gilded” corsets and corseted gowns, which I am massively excited about! The window (which is featuring a gilded backdrop by artist Emily Swift-Jones) will, for that one night, also feature a special guest, resplendent in golden Sparklewren finery, as a living mannequin.

I have to say, the launch excites me the most… the idea of all those sparkling, gleaming corsets, the window, the living mannequin… I want it to be overwhelming, for the visitors to feel saturated in gold, enveloped in sumptuous fabrics. I can’t wait.

A huge thank you to Jenni for taking the time to answer these questions – I think it’s safe to say that the boutique will be stunning once it’s open!   Jenni’s website can be found here.

Karolina

Karolina

Student at De Montfort University's world-renowned Contour Fashion course. Makes many knickers in her spare time.

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It’s Not Your Grandma’s Beach Anymore! – Beach Lounge Trends for Summer


Tiare

Ladies, swimsuit season is coming!  I open with this sentence not to freak you out about your thighs and bellies (You already look hot!).  I’m just excited about beach fashion.

Recently, while the weather was still blustery in New York, I went to Hawaii and got a preview of what we will all be wearing when it’s finally beach weather for the rest of us.

How to describe Hawaii fashion…? Big tourist influx and big tourist money mean Honolulu is an outpost for sophisticated global brands like Vuitton, Prada, Marc Jacobs.  But like Hawaii food and culture in general, Island Style is a unique blend of the influences that have visited paradise for hundreds of years and been seduced into staying.  Everything from muumuu floral dresses inspired by native Hawaiian clothing to surfer boho beachwear finds its way into the Hawaii beach aesthetic.  A few hallmarks of Island Style: casual ease, florals, bold color.  The girls in Hawaii look like they were born wearing bikinis and strappy sundresses.

I took to the beaches and to local gathering places like the Kapiolani farmer’s market to check out what the locals were wearing.  Bikinis were bright and fun, but I was most excited about innovations in swim coverups.  For those of us not lucky enough to live AT the beach or pool, we need something to wear between home and the sand, and we need it to be adorable.  Beach loungewear is what I’m talking about, the summery equivalent of the perfect boudoir chemise or robe.  And, luckily, I ran into two gorgeous lines of beach loungewear designed and made by independent designers in Hawaii.

I got to ask Jane Hoskins, designer of Tiare Hawaii, a few questions:

TheLingerieAddict: How does “Island Style” influence you as a designer?

J.H: “Island Style” has been a huge influence on me as a designer and in creating my line.  Tiare Hawaii is unique in our love for the islands.  Every piece is an inspiration, from the hand dyed fabrics, to eyelet details, to the flow of the dresses reflecting the waterfalls nearby- all are inspired by the natural beauty of Hawaii.

TLA: What kinds of recent trends do you see in beachwear?

J.H.: A coverup is a great way to complete an effortlessly beachy look and is a practical and fashionable way to go to and from the beach or pool in style.  There are so many chic and flattering styles of coverups that are in style such as caftans, pareos, rompers, sundresses, or just a really cute pair of shorts.  I am seeing lots of tie dye, dip dye, gauzy fabrics, hi-lo dresses and skirts, ikat prints, and lots of color for Spring and Summer.

TLA: What colors, patterns, and detailing are you working on?

J.H.: I am promoting colors inspired by nature (the colors of sand and the Hawaiian oceans, sunsets, and waterfalls) and am using natural dying methods to put my inspiration onto fabric.  I am also working with some colorful Ikat prints for my summer collections.

For a list of retailers, please go to www.tiarehawaii.com and click on “Retailers.”

Tiare

I came across another great brand designed and made in Hawaii, Wonderland, when I happened to trendspot its designer, Jess Shedlock.  I stopped her to take her picture and ask about her amazing fuchsia overdyed denim shorts–turns out, she makes them herself.  I asked her some questions about her inspiration and thoughts about beachwear.

Wonderland

TheLingerieAddict: What’s new in swim coverups?

J.S.: I like that swim coverups are fashion pieces now, as opposed to the dumpy coverups of the past. There are some beautiful coverups out there that can double as casual wear. Luxurious prints and fabrics make a lot of coverups really fun and fashion forward.

TLA: Can you give some styling tips for how girls can use your line as swim coverups?

The denim is really popular here because the shorts work great a swim coverup but can be work to lunch or the mall right after. The beach is so accessible here, that a lot of us hit the beach for a quick session between other daily activities. The colors make the dyed shorts swimsuit friendly as well.

TLA: What colors, patterns, and detailing are you promoting?

For denim, I did ombre dyed pastels and crochet details for spring. The high summer pieces are a little more bold – red, navy, olive with pendleton-inspired prints and fringes

visit http://wonderlandhonolulu.tumblr.com/

Wonderland

Wonderland

So even though I was greeted by 50 degree New York spring when I returned, I am warmed by anticipation of summer beach time — and all the innovative, sexy ways to dress up a swimsuit.  Ladies, it’s not your grandma’s beach anymore!

Laura a.k.a. Lola Haze

I’ve loved lingerie since before that was reasonable. I taught myself drawing, designing, and sewing, and after graduating from Harvard with an English degree, immediately went to work disregarding it and following my passion for fashion. After a few years designing for a big company, I went off on my own and started Lola Haze TM, (named after the title character in “Lolita,” my favorite book). Lola Haze is playwear for the bold woman who loves fun and dresses for herself! I feel happy and lucky that I get to love my job so much, and am thrilled to share my lingerie enthusiasm with The Lingerie Addict!

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An Interview with Period Corsets®: The Corset Makers For the Victoria’s Secret Fashion Show

While the Victoria’s Secret Fashion Show is often seen as an hour-long commercial for America’s most famous lingerie store, the show also features work from smaller, more independent artisans.  While corsets were shown prominently on the runway both this year and last year, Victoria’s Secret isn’t really known for making the kind of authentic, steel boned corsets we know and love.  So when Victoria’s Secret wants to use a corset in their annual fashion show, who do they call? They call Period Corsets.

Founded in 1997 by Rebecca Kaufman and Susan Davis, Seattle-based Period Corsets has been the official corsetiere for Victoria’s Secret for three now, and I am incredibly excited to feature these talented designers on the blog in an exclusive Lingerie Addict interview. Please don’t forget check out their Etsy store and take a moment to tell them what you think of their work in the comments! We’ve got lots to talk about right now though, so let’s get started with the interview.

1) I’ve often admired the corset work during the annual Victoria’s Secret Fashion Show, so it’s a real delight to talk to the corset makers behind the beautiful pieces we see on the runway. Thank you for making the time for an interview on The Lingerie Addict. Let’s start with the question that I’m sure is on everyone’s mind…how did you begin working with Victoria’s Secret? Did they approach and how did they first discover your work? 

Thank you for interviewing us. It’s our pleasure.

The Victoria’s Secret Fashion Show approached us! In 2009, a few weeks before the show, their designers needed another outfit for Fergie of the Black Eyed Peas (the musical guest that year) and some options for the runway collection. Their designers were looking for a company they could trust to make high-quality, high-fashion corsets with a quick turnaround.

While Period Corsets® is based in Seattle and we make everything in our studio here, we are part of the network of New York costume houses and regularly partner with places like The Metropolitan Opera in New York City.

The Victoria’s Secret Fashion Show is a hybrid between costume and fashion, bringing together talented artists from all over to create the breathtaking looks you see on the runway – whether that’s 10-foot wings, “million-dollar bras” or one-of-a-kind corsets. Victoria’s Secret retail lingerie is woven throughout the fashion show, and what completes the look of each themed ensemble are the custom-made pieces. That’s where our corsets come in.


2) That’s really interesting…especially since most people don’t know that Victoria’s Secret employs artisans in that way. How many VS fashion shows have you created corsets for and how many corsets have you made for Victoria’s Secret in total? 

We’ve worked on three Victoria’s Secret Fashion Shows, and the number of corsets has varied from 5 to 10 each year.

In 2009, time was of the essence so Victoria’s Secret Fashion Show designer Todd Thomas picked a few styles from our retail line of corsets and sent us the fabrics. He chose our c.1900 Lilly and a c.1860 Julia in emerald green silk taffeta as options for Fergie, and they decided on the under-bust Lilly style to construct a dress around.

Photo Credits: Jason DeCrow/ AP Victoria Secret Fashion Show 2009

The show also featured two more Lilly under-bust corsets; one in herring bone plaid and the other in a red metallic fabric with an overlay of black lace. We also patterned the under-bust version of our 1880’s Alice corset to be worn with a Victoria’s Secret bra. This corset was made out of an extremely narrow, creamy silver metallic brocade fabric that was so unusually delicate and luxurious, I am certain it was a vintage kimono fabric.

Photo Credits: Jason DeCrow/AP Victoria Secret Fashion Show 2009

In 2010, we were fortunate to collaborate with Todd Thomas from the early development of the show. That year Heavenly Bodies, Tough Love, and Country were some of the design inspirations for the themed corsets, which were closer to wearable art than functional garments.

Working directly from Todd’s design sketches is a privilege; he is wonderfully creative with both his corset shapes and unconventional fabric choices. We made corsets out of a diamond-woven straw matting, wig lace, and cross-stitch embroidering canvas. It was exciting to find creative solutions for constructing corsets out of these vastly differing fabrics. The straw corset presented the most challenges. When completed, it was more molded into shape than it was sewn – when we finally top-stitched the seams into place, it held its shape so well that it barely needed the boning we put in! You can read about the construction process on our blog.

 Photo Credit: Period Corsets®

The Heavenly Bodies corset below is made of a wig lace–a sheer, impossibly delicate fabric intended for making wigs. It’s not what you might think would work for a corset, but perfect for a Victoria’s Secret Angel. You can read more about the construction of the wig lace corset here.

Photo credit: Bauer Griffin, Victoria’s Secret Fashion Show 2010

The 2011 Victoria’s Secret Fashion Show has been by far the most thrilling and challenging for us. We made 10 corsets for several of the themes: Ballet, Angels Aquatic, and I Put a Spell on You. The designs are closely guarded secrets that are only unveiled on the runway. Once we send our corsets off to the show, there is excitement down to the last minute as we wait to see how things will turn out.

This year, Todd Thomas’ designs and fabric choices evoked the essence of fragility. They are “breath-taking for the moment.” These ephemeral corsets are for one night only like Cinderella at the ball.

 Photo Credit: Lucas Jackson/Reuters Victoria’s Secret Fashion Show 2011

This Ballet themed black velvet under-bust corset is made based on our c.1900 Lilly corset.

 Design sketch by Todd Thomas Photo Credit: Photo Credit PA 
Photos GQ UKVictoria’s Secret Fashion Show 2011

For Angel’s Aquatic we made a transparent wig lace corset which the Victoria’s Secret design team then encrusted with coral and pearls.

Design sketch by Todd Thomas Photo Credit: Getty Images, Victoria’s Secret Fashion Show 2011

The I Put a Spell on You themed looks embodied the temporality of his designs with this all-in-one corset tailored in cotton eyelet flat-lined to translucent nude organza.

Design sketch by Todd Thomas Photo Credit PA Photos GQ UK 
 Photo courtesy of Period Corsets ®: all-in-one corset close-up

We created a new under-bust corset style in white cotton eyelet; also flat-lined to nude organza to achieve its delicacy.

Design sketch by Todd Thomas. Photo credit: Period Corsets® Photo Credit: Bauer Griffin,
Victoria’s Secret Fashion Show 2011

Aside from its distinctive shape our Julia c.1860 style corset disappeared under layer upon layer of feathers.

Photo Credits: Bauer Griffin, Victoria’s Secret Fashion Show 2011

This opaque Swiss dot striped cotton, as sheer as fabric comes was carefully matched with bust cups and a custom enameled front opening.

Photo credit: Period Corsets® Photo Credit: Bauer Griffin, Victoria’s Secret Fashion Show 2011

We will post more of the behind the scenes magic; making these corsets from two- dimensional design sketches on our Facebook page and our blog after the show airs on November 29th.

3) Wow! That is a lot of detail. The wig lace and straw corsets are especially amazing. Which leads me to my next question…what kind of direction does Victoria’s Secret give you when it comes to making the corsets? Do you pretty much have free creative reign or is there a very specific vision you’re asked to stick to? 

It is very much a collaborative process. We design our own products, but when we do custom work, we enjoy combining creative forces with other designers or people with imaginative ideas for their own one-of-a-kind corsets.

For the Victoria’s Secret Fashion Show, Todd Thomas is the designer, and we are the technicians bringing his two-dimensional drawings to life on the runway. He gives us free reign to interpret his design sketches into the physical shapes that take into account how gravity and physics apply to the fabrics and the person wearing them.

We start the process in late spring when he sends us his gorgeous design sketches, and we confer on what corset style might work with each one. He either has a clear vision to use one of the styles in our retail line of corsets, a style we developed for a past show or a new pattern that we create. The collaboration continues right up to the finishing details.

For example, the Tough Love corset from the 2010 show (shown below) was our 18th century shape styled with a ragged hemline. The Victoria’s Secret Fashion Show team accented each bone channel with silver spiked studs.

Design sketch by Todd Thomas, Photo credit Period corsets ® 
Photo credit Theo Wargo Getty Images,Victoria’s Secret Fashion Show 2010

The Country cross-stitch fabric corset was a pattern we developed to include hip gussets of vintage tatted lace and pleated chiffon. Their team cross-stitched the Victoria’s Secret logo. Whatever the choice of pattern, when you add the custom fabrics and final details you have something completely new and fresh.

Photo Credit Period Corsets ® 
Photo credit: Theo Wargo Getty Images, Victoria’s Secret Fashion show 2010

4) It sounds like a complex process. How much time goes into making one of those corsets from start to finish?

Because we hand-make every corset we produce and are meticulous about the details, there are many steps that all take time. We make a sample to fit and critique; we true the pattern and develop a construction method. Only then do we start sewing the final garment. So the time varies based on the complexity and fabrics, but we want each corset to be a work of art.

We also spend a lot of time finding unique solutions for custom work. For example, the corsets in our retail line come with grommets in the back for a lace-up closure. In a fashion show, you don’t have time to unlace each grommet, so for the Victoria’s Secret Fashion Show we developed a quick-change method that we call speed lacing and now use for all of their corsets.

There are also different levels of finishing to the corsets we send to the show. We send the corsets ready to fit and they do the final steps, whether it’s a bit of detailing or an extensive appliqué. Some are complete and they may only add a few accessories. Some get a lot of detail added before the show. For example, with our straw corset, they added sheaves of wheat and straw appliqué over the whole corset. In some cases the corsets are barely recognizable, but our shapes show through.

Photo credit: Theo Wargo Getty Images, Victoria’s Secret Fashion show 2010

5) Do you personally fit any of the Victoria’s Secret Angels or is a remote fitting? 

We make a pattern based on the design sketches and send a sample to the Victoria’s Secret Fashion Show team to fit and give us feedback. When using styles we’ve made before, we make the corsets directly in the new fashion fabrics and send them ready for a final fit. All of our corsets have alteration points so they can be let out or taken in, which adds versatility for the final fitting and allows the corset to fit more than one model.

Photo Credit Period Corsets ®: fitting mockup in coutil for the straw corset design

6) Amazing. How long have you been making corsets? And are there any other famous clients you can share with Lingerie Addict readers? 

We have been making corsets since 1997. Over the years, Period Corsets’ retail line of historic corsets has grown to include 13 styles; each encapsulates the fashionable look of an era. We developed each corset by researching vintage corsets, historic photos and paintings and distilling a wide variety of examples from the time into one corset with classic simple lines. The distinctive attributes of these corsets are what have attracted the eyes of costume designers and stylists in the fashion world.

We’ve made corsets for celebrities, pop stars, opera singers, dames of the theatre and fashion models, including Madonna’s little lavender waist cincher corset for her “Sorry” video.

Mainly we make corsets for women everywhere who want unique, glamorous corsets of their own. Women all over have figured out they can make an elegant, sexy statement with their own signature corsets.

7) I love that you’re based in Seattle, especially since this isn’t an area many people associate with lingerie and corsetry. Are you very involved in the local lingerie, theatre, or burlesque scene? 

Yes! At Period Corsets we make everything in our studio here in Seattle and are very proud to be part of the thriving theatre, performing arts, lingerie and custom clothier scene. We have supported Seattle non-profit performing arts organizations by donating a few corsets to their fundraising events.

In this economy we know how important it is to support businesses based in the US. In the apparel industry, especially, we all know how much cheaper it can be to buy things that come from other parts of the world. We prefer to buy our materials from domestic vendors. We also keep the needs of our amazing team of employees who have been with us since we started a high priority. We work hard to balance paying a living wage and providing benefits to our employees while keeping our corsets affordable for our customers.

We feel fortunate to be part of this amazing community. For instance, a shop manager from nearby theatre recently needed a few c. 1890 Theodora corsets for “The Importance of Being Earnest,” and she walked down the street to our studio to pick them up.

8) What expert advice would you have for my readers who are interested in buying their first corset?

We advise investing in a quality product made in the US from a company with great customer service. To get an idea about whether they really care about taking care of you and helping you find the right corset, you should do some research: Do they have happy clients and good feedback? Do they make the kind of corset you want? When you are buying something via the internet, you need to make sure you can communicate your ideas with a person on the other end. Call or email us and we’ll be happy to help you with any questions about your next corset.

9) It’s extremely cool that you make corsets for celebrities and the opera, but how would a “regular person” commission a corset from you? Do you accept commissions? 

It is very easy! Go to www.periodcorsets.com. Choose your style, size and fabric and check out. We keep all of our styles in small to 2XL in stock and ready to ship within 7 business days. There is a size chart for you to determine your size after you’ve taken measurements. We are ready to help anytime from 9 to 5 Monday through Friday Pacific time. You can always email us at sales@periodcorsets.com with any questions; to double check that you’ve chosen the right size, to pick the style that might suit your needs best or to consult on having a one-of-a-kind corset made to measure.

If you commission a custom corset, we estimate two to three weeks. To start your custom order, look at www.periodcorsets.com to see if the corset you are looking for is one of our existing styles with a few alterations. Then peruse Period Corsets on Etsy, which will show you examples of the many ways we customize our corsets with fashion fabrics or by altering the style lines. We are also happy to look over your design sketch or to research images of your dream corset. Once you have an idea of what you want and the range of our products, you can email or call me to get a quote.

We treat every individual as we would a professional designer. Your imagination is the limit! We are happy to create whatever strikes our client’s fancy, whether it’s a corset in Harris tweed wool for a dashing steampunk gentleman, or a red silk corset for a college student who wants it to match her graduation robes.

As Lingerie Addict readers know, all of life is a stage and a runway when you have the right lingerie/corset. We love to hear your ideas so we can make your corset a perfect fit.

What great advice! Thank you so much for your time, and for the great behind-the-scenes interview. I hope we see your work at many Victoria’s Secret Fashion Shows to come!

corset, corsets, designer interviews, fashion, period corsets, victoria’s secret

Designer Interviews: Katie Halford of What Katie Did

 ”Fonda” – Christmas 2011

This month’s designer interview is with Katie of the British, vintage-inspired lingerie label What Katie Did. I’ve been a fan of What Katie Did for years, and when I learned Katie was about to open her first ever U.S. store in Los Angeles (you lucky people!), I had to talk with her her. 

In this intensely personal interview, Katie tells us about the hardest parts of starting her own lingerie label, what makes her brand different from other vintage-inspired lines, and What Katie Did’s plans for Fashion’s Night Out.  As an added bonus, Katie is giving Lingerie Addict readers first look at never-before-seen photos from her upcoming Christmas 2011 and S/S 2012 collection. Let’s get started!

1) Why don’t we start with you telling us a little bit about What Katie Did? I’ve been a fan of yours since before I started blogging , and I know that What Katie Did predates the current craze for all things vintage. What made you start WKD? And why specialize in vintage-inspired lingerie?
Since my mid teens I’ve been interested in 1950s fashion and style. During the late 80s there were quite a few ‘50s influences in fashion and it was the 25th anniversary of Marilyn Monroe’s death so I think I probably picked it up from there.

One of my first (only!) jobs was at fetish store Skin Two, in London. It was there that I was introduced to proper fully fashioned stockings and steel boned corsets. At this time corsets really weren’t that popular and if you wanted one you had to go to a fetish store. There were only a couple of manufacturers: Vollers and Axfords who made the same designs year in year out although new talent was just about to peek through including Velda Lauder with her Warrior Collection. Incidentally, whilst I was at Skin Two Retail, there was another Katie who worked in Skin Two Manufacturing: she’s now ‘Miss Katie’ who makes beautiful corsets.

The girls I worked with at Skin Two were big collectors of vintage lingerie and tended to wear girdles and longline bras daily, as outerwear. Hours would be lost discussing the merits of Wolford Opaque Devilles and Aristoc Harmony Points. I guess at this point my fate was sealed!

When Skin Two Retail closed to concentrate on it’s own line, I was left without a source for affordable stockings. There was a monthly London Fetish Fair so I ordered £100 worth of stockings wholesale and set up a stand there. I didn’t think I’d make much money (and was right on that count) but it at least covered my stocking habit.

This then led to me setting up a homemade website in 1998 – one which said ‘send your cheque to PO box…’ and unbelievably people did! What Katie Did officially started in November 1999 when I started working on it full time, opened a small shop in Camden, London and set up a professional, transactional website.

After I’d built up a good range of stockings the next logical step was to sell something that would hold them up, so I started first with garter belts and then other bits of lingerie. At this point I was buying other brands including Lady Marlene and Rago, but when Lady Marlene closed it prompted me to start designing my own range.

“Marlene” – S/S 2012

2) What kind of woman is a What Katie Did woman?
There are all types of What Katie Did women, but they do tend to be strong characters with minds of their own! I think anyone who veers away from the crowd and dresses differently is bound to have something interesting to say! Our core age group is 25 to 35 but do have customers up to 80! Most of our customers are interested in vintage fashion but we do have some who are more into high fashion and it’s interesting to see how they wear our pieces.

3) What was the hardest part of starting your own lingerie label?
I guess the hardest part was not having any money. I started with £100 ($150) and never borrowed to grow the business. I come from a family where it was drilled into my head : ‘do not borrow on credit cards’ and although I did a few years ago, I’m very wary about owing money to anyone. I can remember doing my first bank transfer for £300 to our factory in India thinking it was so much money and what would happen?

If I had have borrowed money we might have grown faster, and at times it has been frustrating how long it has taken, but as we’ve grown slowly and surely we’ve now got a very strong base.

 ”Marlene” – S/S 2012

4) There are a lot of vintage, pin-up, and burlesque inspired lingerie lines out there now. What makes What Katie Did different?
We were first! Although there are a lot of lingerie companies out there currently using the ‘vintage’ tag, very few of them actually work from vintage pieces (that’s not to say I don’t like them, the UK in particular has an incredible selection of boutique design houses at the moment all producing fabulous lingerie). Most of our lingerie is developed from vintage pieces from our CC09 tap panties and bra which are taken directly from CC09 pieces to our AW11’s Vicky Torsolette – which is taken from a piece a customer gave to me a few years ago.

Whilst there are a few companies who do ‘very’ vintage inspired pieces like us, we’re the only ones who do 2 collections a year, who also wholesale as well as retail and who have actual stores as well as a website and catalogue. There’s nothing like fitting lingerie on women in real life and having our stores is invaluable for feedback.

5) What are three things every pin-up vixen needs in her wardrobe?
Stockings! Seamed stockings in particular: I’ve never seen the point of wearing stockings without a seam!

6 strap/vintage style garter belt: most modern garter belts are pretty, but designed to be worn on the hip. Invariably they just slide down, twist and generally are uncomfortable. Vintage and vintage style garter belts are designed to be worn on the waist and are far more comfortable. 6 straps aren’t essential but do help if you’re new to stockings. If you do see a modern garter belt you love, either buy 2 sizes smaller so it sits on the waist, or get handy with a needle and thread.

Bullet bra: today the trend is for rounded, natural looking breasts but in the late ‘40s through to the early ‘60s the pointer the better! A bullet bra really makes a difference under a vintage dress and is the quickest way to give you an authentic pin up girl silhouette.

“Deco” – S/S 2012

6) I recently learned that you’re getting ready to open your first U.S. boutique in Los Angeles. Congratulations! What made you move into the U.S. market and why L.A.?
We went to Viva Las Vegas and LA in 2010 to look for stockists: whilst we wholesale worldwide from New Zealand to Brazil to Iceland the USA has always been a bit of a black hole for us. We work with Faire Frou Frou and presumed we’d find a few more stores like their beautiful boutique: but no, there weren’t any! This prompted us to set up a US website with prices in USD, with all duties paid, a US toll-free phone number and US address. Until we launch our store in the US telephone calls are re-routed to our UK office which means that the time difference is a bit of a pain: we’re frequently taking calls at 11pm in our pajamas!

The site went well and although Girdlebound started stocking us, we didn’t pick up any other stockist. One evening when we’d had too much to drink, my husband (Richard – who runs WKD wholesale) said we should just open our own shop. Over the next few days, when sober, he kept saying the same thing! We started looking around and LA was not only affordable but had a lot of movie and press in the area. We flew out in April and found a suitable (and affordable) store, much to our surprise and really that was that! We really expected to visit our real estate agent and for them to laugh at what we were trying to do, but they couldn’t have been more supportive.

“Storm” – Christmas 2011

7) What have been some of the challenges of bringing What Katie Did overseas? I’ve been to the WKD location in London (back when it was on Portobello Rd.). Will there be any differences between the UK and US stores?
On the whole it has been quite easy. At time of writing, it looks like doing business in the USA is a lot easier than in the UK, and that the USA is very supportive of small businesses. The biggest issue is that companies in the USA aren’t used to working with people from overseas. The start of every phone call goes well, and then we get asked for our social security number – which we don’t have as we’re English! Then the computer says no! Dealing with automated utility suppliers is bad enough without being told ‘no’ at the last hurdle. The time difference has also been frustrating. London is 8 hours behind LA so if there are any queries it takes an extra day to sort out.

In the UK we have a London store and warehouse in Berkshire where we process mail order. In the US we’ll be doing mail order from the boutique – but that will be the only difference between the two.

“Fonda” – Christmas 2011

8) September 8th is your official open day…are you doing anything special for Fashion’s Night Out?
I’m going to be in LA for the first couple of weeks so will be there for Fashion’s Night Out. It’s very exciting as in London our boutique is not in a main fashion area so hasn’t been able to take part – it’ll be our first time!

I’m bringing over elderflower cordial to make our signature WKD cocktails and will also have a case full of chocolates from London company the Vintage Patisserie so refreshments will be very English and the same as what we serve in our London boutique.

We’re planning a US/UK window with a couple of bespoke corsets: one using the USA flat and one the British Union flag. Our LA team are really excited about the event, so it should be a lot of fun.

9) Any closing remarks?
People often ask me if I’d preferred to have lived in the 1950s. I always say no! Even 10 years ago it would have been unthinkable for a company of our size to open a store the other side of the world. I said to my husband a few days ago that I always thought our second store would be in Manchester or Edinburgh! Technology really has opened a lot of doors for small companies, they just have to make sure they take advantage of it!

Thanks so much for your time, Katie! I’m looking forward to stopping by while I’m visiting Los Angeles later on this year.

Do any of my L.A. readers plan on stopping by What Katie Did’s new boutique? Let me know what you think in the comments!