Posts from August, 2011

How to Break Into the Lingerie Industry: an Interview with Ellen Lewis of Lingerie Briefs

One thing I’m really passionate about here on The Lingerie Addict is supporting independent designers. I’ve tried to do that multiple ways…from Designer Interviews to the group Independent Lingerie Professionals to making myself personally available for designers to send their lookbooks and other press materials.

Still, there are some aspects of the industry I just don’t know very much about, and one of the questions I’m asked most often is “How, as an independent lingerie designer, can I break into the lingerie industry?”

I met Ellen Lewis, world-renowned lingerie consultant and founder of Lingerie Briefs, at this year’s CurveNY and asked if she’d be willing to share her expertise on the blog. Not only was she incredibly nice, she feels just as strongly that there should be a space for independent brands in the industry, and so she agreed to answer a few questions from readers. If you’re an independent designer or simply love independent lingerie, what are your thoughts on the place of indie brands within the lingerie industry?

1) What would you tell new lingerie designers looking to break into the industry?
Be patient. Network and shop the stores, the internet, catalogs, everything. Understand what people are buying and adapt your vision to that reality. This is difficult for many creative people but you must accept constructive criticism. Possibly, spend some time, if you can manage it, inside a larger venue in order to be exposed to larger sourcing markets and the requirements of efficient production. Many independent designers who are used to sewing individual items do not grasp the reality of profitable manufacturing and some of the compromises necessary to achieve this

2) What are 3 things any brand trying to establish a presence in the industry should know?

  1. It takes time, repetition, continuity and focus
  2. Less is more. You need a good concept and a cohesive merchandising approach. The product presentation needs to make an immediate statement
  3. Build a network of support: sales, accounting, manufacturing, distribution, marketing, customer service, etc.

3) What distinguishes the lingerie industry from the rest of the fashion industry?
First it is much smaller and more intimate ( no pun intended). Establishing a foot in the door is difficult because there are less outlets, but it is also easier to be seen. It is a microcosm of the larger fashion industry. It covers every aspect of a woman’s life under one umbrella.

4) Do you believe there’s a space for both independent designers/retailers and mainstream brands?
Yes, I would leave the industry if this were not true. It is this balance that I advocate. The independents are the petrie dish of ideas and what, in my opinion, inspires and challenges the entire business. It is difficult to always be creating the next new thing, but it is also what art is all about. That is why I think its a compliment when a designers original work is copied. An artist needs to move forward anyway.

5) Is it just enough to design beautiful lingerie? What else should a lingerie designer do to be noticed?
This is a major point. You have to be able to be seen as reliable in production quality, on time delivery and customer service. I have seen phenomenal designs that could never be delivered. This is very frustrating to a buyer.

6) What’s the role of digital media vs. traditional media in gaining clients, publicity, and exposure?
In my opinion, it is rapidly taking over the traditional media sector, but it also depends on the target audience. The reason I believe so strongly in the digital world is because for much less money, one can establish a presence that is ongoing. Traditional media comes and then it is gone.

7) What’s been the most significant change in the lingerie industry since you started working in it?
That’s a loaded question since I have been in it for 27 years. First of all, like anyone else in any business from my generation, there were no computers, no faxes, emails, cell phone internet etc. There were many, many more separate stores with individual customer and cultural identities.

When I was a buyer for Macys, it was a 23 store regional chain. I went to every branch personally, every month. I knew the innuendos between customer fit and taste by location. I knew my entire sale’s staff. Since I was part of a larger corporation, I had exposure to other parts of the country, but I was focused on my customer’s individual needs. I had to understand the operating logistics and the creative equally in order to build a profitable business. It was much more personal.

That being said, it was also less global. You had to travel to find alternative inspiration. There was also a very large made in the USA product base. Product was more utilitarian, meant to be useful and underneath. Today, the creative expression is so much more intense. Its a challenging conundrum because there is much greater bounty of original design in Lingerie and so many less outlets through which to channel it. In fact, this is another reason why I believe so much in the power of digital media.

8) How do you see the lingerie industry developing in the next decade?
On Line, big time

9) What are your three favorite pieces of lingerie?

  • A great fitting bra with beautiful feminine details.
  • A great fitting panty that disappears under my clothes
  • A ultra soft, easy going go to lounge piece with a clean modern appeal

Thanks so much for sharing your time and expertise on The Lingerie Addict, Ellen! We appreciate it.

The Lingerie Addict Quoted in Essence Magazine!

Major, major news fellow addicts…I just got my very first quote ever in a mainstream magazine!!!

The image below is taken from the September 2011 issue of Essence, page 204.

I’m so excited I could burst, and I just had to share it with you all.
Thank you, as always, for being such awesome fans and readers.

Here’s hoping this is the first of many more quotes and mentions to come!

Lingerie Trends: Fringe, Ouvert, and ‘Swimgerie’

By: Kristina

Hi Everyone!

My name is Kristina and welcome to my first blog post ever! I am so excited to be writing to you today and sharing my perspective on the wonderful world of lingerie.

As a lingerie designer of 10+ years I have seen my fair share of fads, favorites & failures. Trends come and trends go but many have managed to withstand the test of time and have become our “core classics” that never go out of style (black lace, 3 piece sets & animal print to name a few).

However today I am not going to showcase these beloved trends but instead give you a taste of my current obsessions of the moment – those cant-live-without objects of lust that, practical or not, have risen to the top of my wish list and refuse to show signs of decline.

No Strings Attached
Sure we have seen fringe used in lingerie before but they have often seemed to evoke a cheesy showgirl quality to them and never really made the grade. For us girls that strive for an A+ there is a new class of fringe that has recently caught my eye.

*Made By Nikki has risen to the occasion with their new Spring collection featuring ombre fringe in sensual nude & sultry black. As sexy as it is fun I could not only see these edgy pieces getting props in the bedroom but can also envision them as made-to-be-seen layering pieces for a night on the town.

*Lascivious is also jumping on the fringe bandwagon with their new collection of black mesh separates with crème tassel details – always a classy color combination. While these fringe details are a little more understated they still score an A in my book proving that sometimes less is more.

*Agent Provacateur has always been a fan favorite with lingerie enthusiasts and their strappy fringe playsuit does not disappoint! This racy 1 piece also uses ombre or dip-dyed fringe in the sexiest color combination. While we can safely assume this piece will be kept within the confines of ones bedroom it is still fun to fantasize about how great this piece would look on a Vegas showgirl or circus show performer!

Cleavage Alert
Why should boobs have all the fun? Cleavage is a powerful tool women have been using for centuries to sway the minds (and eyes) of our male counterparts. But why limit ourselves to chest cleavage alone? The derriere has quickly become a worthy rival of the bosom! If JLo, Beyonce & Kim’s buxom backsides have taught us anything it is that our booties deserve to be flaunted – not hidden.

*We can always count on Bordelle to be on the forefront of cutting edge boudoir wear and their Infragante brief is nothing short of sexy. While it does have a bit of a bondage feel to it the satin bows and classy color combination make it slightly more Marilyn and a less Dominatrix. Which ever category you lean towards you can be sure this brief will be a hit in the bedroom!

*Looking for something a little sweeter and subdued? Damaris has got you covered – or should I say not-so covered? This pretty lace panty has gotten an overhaul with a larger then average back keyhole that reads “tease” all over it and is sure to turn on any lucky viewer who’s fortunate enough to get a peek.

*La Fille d’O is still a relatively new label out of Belgium but their flashy styles are not to be missed. Adding an unexpected (and rather large) keyhole in a strategic location is exciting enough but when combined with a little fringe detail – Im in love! This brief is #1 on my wish list this season.

*I just had to add this legging from The Lake and Stars into the post because it’s the perfect example of how butts are getting more play. What guy in their right mind would turn down a girl in this inviting number? Im not saying this pant is practical or worth the high price tag but the surprise factor alone sure makes this an intriguing piece.

Swimgerie
Each summer I notice more and more bathing suits that look like they should be lying in my unmentionables drawer instead of lying out in the sun. The lines between the two are blurring as performance fabrics are styled with delicate intimate details like lace & ruffles. Here are a few swimsuits that may raise a few eyebrows at the country club pool this summer.

*This Free People bikini could easily pass for a cute daywear coordinate set with its floral print & sweet lace details. But don’t be fooled – this suit is is 100% swim ready – underwire and all.

*Norma Kamali has had much success in the swimwear world and I am loving her new black lace one piece this season. As sexy as it is conservative this suit is perfect for women who don’t want to bare all at the beach but still want to show their sexy and sophisticated side.

*Shimmi swimwear tends to appeal to a younger customer but the idea of this piece is the same. Upon first glance one wonders – is it underwear or swimwear? The white satin triangle top and matching brief are made with textured fabric & have cute details that would make you think the former but the performance fabric proves otherwise.

*This suit from Zimmermann is another subtly sexy one piece that provides a little more coverage while still oozing seductiveness. A mixture of lace and mesh would normally belong in the bedroom but with Zimmermann’s spin you wont get any complaints wearing this one out out on the beach for all to see!

Well that’s it for my first blog entry! I hope you enjoyed it and share my infatuation with these drool-worthy pieces. Join me next time when I report back from the lingerie shows in Paris & London next month where I’m sure I will find a whole new list of obsession worthy trends!

The Story of a Bra in 8 Steps, Part 1

By Pippa

Having recently graduated from the Fashion and Contour Design course at DeMontfort University my first article focuses on the story of a bra.

Over two articles I plan to use the skills I’ve learn in the last three years, to explain the process of designing a bra from an empty sketchbook, to picking fabrics, through to the final garment and everything in between. 

I hope to show both the glamorous bits as well as the tedious, nitty gritty, and pain staking bits in-between.

1) Research

Research is the first step in the story of designing a bra, or any fashion pieces really. It’s crucial that you get this stage right, and explore all areas fully in order to become best informed, therefore aiding and improving the design process tenfold.

For my Final Major Project (FMP) at uni, I chose to research the concept of “Hidden Art Forms in Nature,” an idea I developed from a lifelong love affair with Ernst Haeckels books Art Forms in Nature, a collection of hand drawn studies of objects and animals from the 19th Century.

I began to collect natural found objects such as acorns, pine cones, seeds, and even an abandoned birds nest. I studied and investigated the underside, the inside, and cross sections of these objects and found brilliant textures and patterns which made up the bulk of my research, and lead onto my initial design work.

At uni, I’d expect to spend at least a month researching, and then continue while exploring initial designs. Unfortunately, in the ‘real world’ there is little time for full research, and designers will rarely even use a sketchbook as the fashion market is far too fast paced to dedicate a month to research for each range.

2) Initial Design

Initial design work involves going crazy with a pen and paper and drawing anything that comes into your head after fully researching the theme. Initial designs involve looking at the textures, shapes and patterns that you’ve discovered in your research, and experimenting with how these images and ideas can be transferred into a garment, fabric print or surface texture.

During initial designs one will experiment with scale, line (both abstract and minimal) and colour. This can result in some truly awful ideas, (that seem great at 1am after about 4 coffees!) and some genuinely good ideas, which are taken further to the design development stage.

Once I get into the initial design stage it always tends to be a mad rush to get as much information out of one’s head and onto the piece of paper as quickly as possible, which means that the initial design work often makes little sense to anyone but the designer.

3) Design Development

Once I’ve gained some perspective I’ll ruthlessly go through the fruits of my labour and highlight the most striking and successful designs. I then develop each of these individually further.

This can involve something as simple as changing a neckline or leg line shapes, changing a colour, style or minor detail. Similarly, this process can result in something much more drastic and changing the whole garment. Often the design development can lead to something entirely different to the initial design, but that’s the beauty of it!

I’ll write a lot of barely legible notes over my design development, explaining details which haven’t been depicted accurately enough, again, it often results in a mad rush to write everything down before I forget.

I’d expect to complete at least one large sketchbook of design development per collection, in order to ensure designs have been developed to their most successful stage.

4) Final Design
Once design development is complete, final designs should exist in some form or another, these need selecting from the vast number of designs which evolved from the design development stage and neatening up. The 6 chosen outfits will be drawn in a line up to best understand how the garments and outfits will work alongside each other as a complete range.

Often at this stage it’ll become clear that one outfit may not fit in the collect as well as the rest, this is where it’s necessary to re-visit the design development and pick another garment or outfit, or develop the original one further to better tie in with the rest of the range.

Below shows my final line up of my FMP, designed for S/S 11.

Part 2 of this article will explore and explains the toiling and fabric selection stage, followed by the Technical aspects and then the final bra for a catalogue photoshoot.

Image Credits: All images Pippa Smith’s own.

NYC Intimates Market: Lingerie Trends for S/S 2012

Two weeks ago, I went to New York City for a few days to attend S/S 2012 Lingerie Market. Lingerie Market, which consists of official tradeshows like CurveNY and Designer Lingerie Showcase, as well as private hotel viewings, is basically fashion week for the lingerie industry. It’s a week of brands, designers, writers, and retailers running from place to place all in search of the latest and greatest lingerie.

 

 

 

 

 

 

As the #1 lingerie blog in the world, I feel a professional obligation to attend. In addition, I firmly believe it’s important to have a consumer-focused perspective at these events. After all, being an independent fashion blogger, I often have a very different perspective from the mainstream lingerie industry.

My only regret is that I wasn’t in New York for nearly enough time, and so I missed out on covering lots of brands I really wanted to see. On the plus side though, there’s always next year! So let’s move on to the trend report.

Brights
Color is a major, major trend for next season. Think coral, tangerine, plum, teal, and some lime green. Color is a proven mood booster, and with all this grim economic news, it makes sense to have lingerie that counterbalances the gloom with a little positivity. Photos below are from The Little Bra CompanyLejaby, Ombrato, and Between the Sheets. Curvy Kate, Cosabella, Simone Perele, and Fleur of England also have rich and gorgeous hues in store for next season.

 

 

 

 

 

 

 

 

 

Prints
Prints were everywhere on the tradeshow floor. Think floral print, leopard print, and even a few kitschy, vintage-inspired prints. Most amazing of all (at least to me) is that many of these prints were developed in house by the designers. Sometimes, I am just in awe of other people’s creativity. Photos below are from ClareBare, Lejaby, Playful Promises, and La Fee Verte, but other brands like ASOS and Hanky Panky are also debuting prints in their upcoming lines.

 

 

 

 

 

 

 

 

Sheers and Lace
The last major trend we’re going to talk about is sheers and lace. Sheer fabric was a trend we saw all over fashion’s runways for both S/S 2011 and A/W 2011, and I’m sure we’ve all seen the gorgeous, handmade lace adorning Duchess of Cambridge’s wedding gown. I love the delicate femininity of sheer and lacy material, and I’m personally excited about adding a few of these pieces to my collection next season. Photos below are from Between the Sheets, Fleur of England, Ellipse, and Gilda & Pearl. Lisa’s Folly Luxe, Lelo, Mimi Holliday, and Lola Haze are also presenting sheer or lacy pieces in their next collections.

 

 

 

 

 

 

What’s your favorite upcoming trend? I’d love to hear what you think in the comments!

Photo Credits: Top 2 photos of Gilda & Pearl lingerie. All photos taken by and property of The Lingerie Addict.

Lingerie Trends: Videos from A/W 2011 Tradeshows Are Live!

Hi everyone…it’s Treacle again. I’m hard at work on the Autumn/Winter trend report from last week’s trip to Lingerie Market, but I wanted to let you know that the videos I shot at the tradeshows are live on The Lingerie Addict YouTube Channel.

This year, I did something a little different by asking each designer to show off their 3 favorite pieces from their latest collection. And though I’m less than pleased with my cinematography skills, I’m really excited to be able to give you all first peek at some of the best lingerie I’ve seen in a long time. My only regret? That I didn’t make it to more booths during my short time in New York.

Visit the YouTube Channel now to watch exclusive interviews with Fleur of England, Gilda & Pearl, Lola Haze, Between the Sheets, and more. And don’t forget to subscribe to The Lingerie Addict YouTube Channel while you’re there…I had so much fun with these videos that I’m hoping to do several more in the near future! And if you have any suggestions for what you’d like to see in a TLA video, definitely feel free to drop us a line at editor@thelingerieaddict.com.

The official TLA lingerie trend report goes live right here on Wednesday morning…see you then!

Hidden History: Female Pin-up Artists

By Marianne

In the golden age of pinups, it wasn’t unheard of for illustrators to use their wife or their daughter – or both! — as models for their iconic works. Of course, it was a male-dominated field, so they generally didn’t have the option of using themselves. But of the few women creating pinups (with photography or illustration), there were several notable models-turned-artists. Today, one very prolific contemporary model also shoots many of her own photos. Today’s history lesson will cover a bit about the background, style, and working habits of these women.

 

 

 

 

 

 

 

 

 

 

 

Of the few working female pinup illustrators, Zoë Mozert was the most well known, as well as being very well-connected with other “big name” illustrators of the day. Born Alice Adelaide Moser, she didn’t think the name would lend itself well to fame, and changed it as soon as possible. “I looked through a name dictionary for a new first name and when there were finally no pages left I settled on Zoe.”

Mozert began modeling to pay for her tuition at the Philadelphia School of Industrial Art. When she moved to New York, she was very productive in painting covers for pulp and movie magazines. She joined pinup legend George Petty in judging 1938′s Miss America Beauty Pageant. It seems that she switched from painting movie stars to pinups in 1941, when she signed a fifteen-year contract with calendar printer Brown & Bigelow. Mozert continued to paint for Hollywood, and several of her movie posters were quite well known in their day.

 

 

 

 

 

 

 

 

Much of Mozert’s work is characterized by her soft pastel style, and her figures ranged from fully clothed to fully nude. Most were on minimalist backgrounds, often just uneven splotches of color, further drawing attention to the subject rather than emphasizing the setting or situation. When she used herself as a model, she would carefully light her studio, then use a photograph or a mirror to create the reference. She also modeled for Earl Moran and Alberto Vargas (shown above).

Joyce Ballantyne was another of the top three “girls club” pinup artists, and like Zoë Mozert she enjoyed the friendship of several other top artists of the day. She studied at the Academy of Art in Chicago for two years. There she first met Gil Elvgren, who was teaching there at the time. Elvgren and Ballantyne later came to regard each other as peers as well as friends, and would share assignments.
In 1945, he recommended her to Brown & Bigelow, who took her on and introduced her as “the brightest young star on the horizon of illustrative art.” She was honored with creating a calendar for their ongoing Artist’s Sketch Pad series. Ballantyne did illustrations for other calendar companies as well as magazines such as Penthouse and Esquire.

As was often the case with pinup artists, Ballantyne did work for national advertising campaigns, including Coca-Cola. Chances are, most of you have seen one of Ballantyne’s illustrations without realizing it: the iconic Coppertone girl was a creation of hers, partially inspired by Art Frahm’s infamous panties falling down series.

Ballantyne pinups have a very classic look. She painted her girls in oil on canvas and was very technically skilled. Her images are more situational, with a more fleshed out location and action. Unfortunately, I was unable to find many photographs of her, let alone one of her posing. This may imply that she worked from a mirror, rather than a photograph.

Photographer Bunny Yeager (née Linnea Eleanor Yeager) was one of the most popular models in Florida in the 40s, though she is now best known for her photographs of Bettie Page. She always knew she wanted to be a model, and studied pinup art and Hollywood starlets before officially enrolling in a modeling course. (Alas, there was no America’s Next Top Model at this time.) She chose the psuedonym “Bunny” from a Lana Turner film. In 1949, Joe DiMaggio crowned her “Miami Sports Queen.” She was also an early adopter of two-piece bathing suits, which she made herself.

In 1954 she began taking photographs, and her experience on the other side of the lens put her way ahead of the learning curve. “I never intended to become a professional photographer but after I took a course it seemed like it might be a good idea – something to pursue after I got too old to model. In class, one of my photos of my model friend Maria Stinger caught the eye of my teacher and he suggested I send it in to a magazine. I did, and sold it immediately.” Understandably, models were more at ease working with a female photographer, particularly one who also modeled. That same year, she met Bettie Page and took most of the photographs from their famous collaboration.

If you want to learn her techniques, those of you with deep pockets can purchase a vintage copy of Bunny Yeager’s 1964 book, “How I Photograph Myself.” (Am I lusting? Yes.) She also wrote some twenty-odd other books on the subject of pinup photography. Easier to find are more recently published collections of her photographs, such as “Bunny Yeager’s Bikini Girls of the 1950s.”

Spanish-born Morgana is something of a renaissance woman. Currently 29, she’s still one of the most prolific corset models, particularly in England, where she currently resides. The opposite of Bunny Yeager, Morgana’s original training was in photography and graphic art. Iberian Black Arts is the name of her photography studio. These days, she is also working as a professional makeup artist.

It’s hard to talk about any single aspect of Morgana’s career, since so much of her work features her donning more than one proverbial hat. Many of the shots that you see of her from FairyGothMother, Maya Hansen, Morgana Femme Couture, Ladie Lucie, etc, etc, so on and so forth, feature her photography as well as her face. She’s been published numerous times, modeling on the cover of magazines and shooting the covers of new CDs.

While most models are sufficiently skilled in makeup enough to do their own face, few are equally qualified at both tasks. Morgana does makeup under the name Fatale Beauty, doing colorful and vintage-inspired looks. Notably, she’s painted the face of Ulorin Vex, another top alt model. Naturally, she then proceeded to photograph Miss Vex as well (shown above).

It’s easy to see why Morgana gets so much work. Knowing that they can hire one person to do the work of a full team, and do it competently, makes a very easy hiring decision for designers if they like her look. To my eyes, her modeling work with other photographers looks more relaxed and diverse than her self-portraits, but that may be because the self-shot looks tend to be for catalogs and lookbooks. Her naturally tiny waist and hourglass figure make her a natural at corset modeling, while having a natural hair color and lack of tattoos gives her a broader commercial appeal.

I hope you enjoyed my article on pin-up self-portraitists. What do you think of these artists? I’d love for you to tell me in the comments.